It was all summed up in a single sentence uttered by Chantal Lavigne
, a civilian member of the Governor General's staff, as the shuttle bus carrying me and many of the other Meritorious Service Decoration
recipients and their guests passed through the gate and pulled up right in front of Rideau Hall: "This is your day. Enjoy yourselves." Amid all the nerves and preparations and grooming and worries about protocol, it was easy to forget that we were the ones being recognized for our work with this distinguished award. Not surprisingly, everything was meticulously arranged - every moment and movement considered for maximum decorum and smooth operation; not so it would be rigid but so that all the details that might overwhelm could move to the background and become a setting for the meaning of the award and the meaning of the day to all of us and our loved ones who were there to mark the occasion with us. There are people in this picture who have transformed their communities and saved lives and restored languages and brought dignity and opportunity to others in their communities and I'm humbled to be counted in their number.
If you've been following this blog for any length of time, you may already be tired of hearing me allude to the challenges of this project. And the absolute truth is that I know I am not the first (nor will I be the last) award recipient to walk in through the doors of Rideau Hall not knowing how to pay next month's rent and walk out feeling tremendously honoured but just as broke. But I feel it's important to bring it up again today because it relates very much to my feelings about this award.
I began this journey with tremendous energy and optimism but it was clear from the beginning that it would be a marathon rather than a sprint, which was fine. Given the uniqueness of the project, funding was a serious challenge but with the help of some great people we were finding solutions to end-run some of the bureaucracy. At the end of 2005 - just months from the pledged debut of the project - Stephen Harper's government was elected and the tone of everything began to change very quickly. The first Conservative Heritage Minister, Bev Oda
cancelled critical funding that I had been assured was on the way, CBC Television changed its mind about wanting to complete the project for which we had gone through a development process and I felt that a huge boulder had been added to my burden. And although many amazing people came through to help make the debut happen - from David Neale
and Laurie Brown
to Mike Lazaridis
and my angel in Victoria and Charlie Coffey
and Mark Kristmanson
and everyone at the National Capital Commission
's Canada Day team - the weight (in the form of both debt and a kind of official hostility to the portrait of Canada I was trying to paint) was one that I had to continue to carry as the project moved out into the world. And I wouldn't say for a moment that there haven't been many triumphs between then and now - from appreciative audiences, powerful feedback from people touched by the vision of the project, a coin from the Royal Canadian Mint
, a beautiful book from Douglas & McIntyre
, a series of packed shows with the Windsor Symphony Orchestra
, a tête à tête with Chris Hadfield
, an invitation to Italy and all kinds of other adventures and encounters that I wouldn't trade for the world - but I have never actually felt like the project was thriving and we're always close to bankruptcy and my biggest fear is that I and my project would just slip beneath the waves without ever having achieved all that it could, unremembered. Which is why being honoured with a medal from Her Majesty, by way of the Governor General - especially at this time - means so much. It means that, no matter what financial state the project might be in and no matter my pessimism around the CBC and the state of the arts in Canada, someone has noticed that the project is worth recognizing.
Which brings me to the real point of this essay.
I am tremendously grateful for the Meritorious Service Medal - for the honour and recognition it brings as well as for the hope it brings that there's still work to be done that is of value and that the the situation of the project might improve. But I am equally grateful for all of the people I am proud to call friends and associates who contributed their efforts and talents and support not only to me and my project but to all kinds of other people as well. They all deserve medals too and the very least I can do is name just a handful of them here.
First of all, I must recognize George Rizsanyi
. The truth is that I don't talk to George any more. Our relationship soured and I have never been able to determine the real causes of that since they seem to change every now and then and it is not healthy to dwell there. But I will never stop staying that George was a huge part of the inspiration for the project and that he did an amazing job building Voyageur
. I know there are more prestigious luthiers and I'm sure there are people it would have been easier to work with but I honestly think George Rizsanyi is the only person who could have built this guitar. He was quite fearless about it and agreed to work with a bunch of materials I'll bet almost any luthier in the world would have told me they couldn't work with. But he did. And he made from all this historical and cultural detritus a guitar that is holdable and playable and durable and beautiful and for that he has my unending respect and gratitude.
Naturally, his work would not have been possible without the extraordinary material contributions of individuals and communities in every province and territory of Canada - from Haida Gwaii to Cambridge Bay to Cape Race Newfoundland - not to mention all the people who researched and documented all of those pieces of historical stuff.
Then, there are people who provided services to the project - both paid and unpaid - that attempted to harness my crazy dream and make it a doable, manageable series of tasks that could not only deliver a finished guitar but move it around the country and let people know what it was all about - people like Holly Dennison
and Heather Kelly
and Amanda Van Den Brock
and Gabriel Dube
and Dave Neale
and Laurie Brown
and Lisa Whynot
and Eric Birnberg
and Tom Walden
and everyone at D'addario Canada
There are people whose own artistic talents and visions infuse the project in various of its iterations - people like Darren Wilson
and Sandor Fizli
and Sarah Gillett
and Doug Nicholson
and Andrea Dixon
and Curtis Wehrfritz
and Guillaume Semblat
and Bob Stamp
and Blaine Philippi
and Annemarie Roe
and Amanda McAvour
and Kate Jackson
There are the people who have worked so hard to bring the project to their communities across the country - the festival organizers and the teachers and principals and community workers and conference planners.
There are the people who work on my behalf at the National Speakers Bureau
and Mariposa in the Schools
and Westwood Creative Artists
There are those wonderful friends who have kept looking for opportunities to share the project and provided such amazing personal support like Paul McCabe
and Katrina Anderson
and Peter MacLeod
and Richard Davis
and Bill McKetrick
and Jessica Dargo Caplan
and Bill Heffernan
and Peter MacDonald
and all the great people at the Community Foundations of Canada
And, of course, there are the countless musicians - from every region and style and cultural background, famous and amateur, veteran and rookie who have embraced Voyageur
not only as an instrument worthy of playing but for all that it embodies as a symbol of who we are as a people. So many of them face that same dichotomy - there may be awards and recognition of various kinds but it doesn't necessarily mean that they're making a stable living.
And here's the crazy thing: this list of names you see above is such a cursory list. There are so many friends and family and hundreds of other people who have helped make this project what it is with their work and their support and their simple encouragement and example.
It's a strange experience. There you are in the room where we recently watched our new Prime Minister (who also contributed to the project in several significant ways) and his Ministers sworn in. And, in fact, the ceremony itself was not that different - I imagine each of the MPs went through a similar rehearsal as we did. When your name is called you move to the aisle and walk toward the Governor General. Pause, give a slight bow of the head, and move to a position between the GG and the emcee at the podium. A brief description of your work is read and your name is repeated. You move back in front of the Governor General and he affixes the medal to the little holder they've set you up with for the occasion. You shake hands, turn to face the cameras, exchange a few words, head over to the table where you sign the register and return to your assigned seat. You walk a square of maybe 80' and the whole process takes about 90 seconds. And with you you carry all of these names, all of these people who helped you take this short walk and sign your name to a history book and you want them to have a medal too.
Photo Credit: Sgt Ronald Duchesne, Rideau Hall
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Our last full day in Grande Prairie had been set aside for more school visits and, in particular, we'd figured on a visit to the big new high school, Charles Spencer
. For some reason that was not an option. But I was anxious to get out there and share the story and my hosts were keen to deliver so they arranged for visits to two local seniors' residences: the Pioneer Lodge
and Wild Rose Manor
- both members of the Grande Spirit Foundation
for affordable housing.
At Pioneer we set up a makeshift screen in the common room and got a good turnout from residents who came down to see what the fuss was about (we heard one resident ask if it was going to be a political speech!). After spending a week speaking in schools, it certainly is a pleasure to speak to a room full of people to whom I don't have to explain the significance of Paul Henderson
's hockey stick! Of course, the other great part is talking with the residents afterwards and hearing their stories and we had a particularly lovely time with the three in this photo, Margaret, Anne
(pictured left to right). Fourteen-year-old Garion Bell
came out and volunteered to play a few tunes and had the residents clapping along and calling for an encore!
From there it was on to the Wild Rose on the south side of town. As we entered past the giant tropical fish tank, garden and indoor fire pit there was a BINGO game going on in the main common area. There was kind of a lounge area off to one side set up with a small projection screen but I saw they had a nice big TV already rigged into the sound system so we re-arranged some furniture and got set up in that corner.
I'm constantly observing that everyone has some connection to Voyageur
- whether that's a place that it's come from, a place that it's been, a story in the guitar, a person who's played it, a song sung on it or someone who's had their portrait taken with it. And I don't think I've ever been proven wrong. As we're getting set up, Pearl
comes over with her walker to find out what's going on. She is wearing a bright pink T-shirt that declares itself a souvenir of Kuujuaq, Nunavik - home of the very first piece of material I talk about in the presentation (the caribou-antler ulu
carved for us by Charlene Watt
We had no one to play Voyageur
at Wild Rose but I was prepared with the wonderful video I have of Paul O'Brien
and the St. Michaels University School Senior Orchestra and Choir
performing "Voyageur", the song he wrote for me and the guitar, in Victoria BC. I hadn't seen it for a while and watching all the young folks performing on the screen while sitting with the old folks at the Wild Rose was just too much and had me in floods of tears. And hanging around with some of the residents afterwards and having such lovely chats had me thinking of my own grandparents and of my partner, Sarah, who is currently in Norfolk UK visiting with her own very elderly grandmother. Love to you all.
Thanks to Lindsey McNeil
, Adyne Bell
, Shari Hrehoruk
and the welcoming staff and residents at Pioneer and Wild Rose!
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The model that we've built now over a few series with different Community Foundations
in Canada is that the CF does much of the heavy lifting in terms of lining up school and community partners who'd like to have the Six String Nation presentation and then funds or assists the funding of the whole tour. This takes the load of the school district or individual schools from having to coordinate a schedule and travel and accommodations and those kinds of things - though there must always be very active partners in the school or community who help to get teachers, principals and other community groups on board and informed and involved. And we had several of those on this trip that I've mentioned in previous blogs.
So what does the local Community Foundation get out of it? Well, for one thing, not everybody is aware of the vital work Community Foundations do in terms of monitoring the overall health of the community by compiling and aggregating various kinds of research and metrics on things like health, poverty, economic diversity, social issues and more into their annual Vital Signs
reports and then encouraging, directing, managing and coordinating various kinds of individual and corporate giving with different charities and services in the region, so a Six String Nation school and community tour becomes a way for them to reach out to local school districts and community service providers to give them the opportunity to bring in something that most individual schools or senior's residences or volunteer organizations couldn't bring in on their own. And it helps build those relationships so they become aware of the other ways that CFs might be able to help in the community. For another, they typically organize these tours to coincide with their own fundraising efforts or other special events so that they're kind of getting me to their event as part of a bundle. And last night was the Community Foundation of Northwestern Alberta
's annual "Nourish the North" fundraising gala. It's a chance for them to wine and dine their ongoing sponsors and donors, attract potential new donors, raise some more awareness and raise additional funds through the auction and silent auction and that kind of thing. It's always struck me that the work of the Community Foundations embraces the kind of view of the interconnectedness of a community that is fundamental to the whole Six String Nation project so it feels like a very natural fit.
One of the main things the Six String Nation project was designed to do is to challenge some of the divisions that some political forces are determined to maintain between regions of Canada - stoking various resentments and animosities - and open a more inclusive conversation about who we are as Canadians from a thousand and one different perspectives. Perhaps not surprisingly, people are always offering me warnings about the kind of reception I might receive in Alberta. Now, first of all I should say that no province has invited me back more often than Alberta, no province has incorporated Six String Nation into school curriculae more than Alberta and no province has been more welcoming and hospitable than Alberta. Between the looming election and the Blue Jays advance in the playoffs and the news of the day, I've had many many political conversations with all kinds of people the week that I've been here and I can tell you that the range of opinion and the depth of feeling for our sense of community and nation is as diverse and nuanced here in the same way it is in any part of Canada. Last night I had one (good natured) heckle for my mention of the inclusion of Pierre Trudeau
's canoe paddle in Voyageur
and three people who came up afterwards during the photo opportunity asking to feel for it inside the sound hole. All of this is proof to me that, as Canadians, there is so much that we share in common and that efforts to find and aggravate divisions between us are cynical and misplaced.
I started my presentation after a delightful round of drinks and appetizers and for the "performance pocket" we welcomed three players to the stage. The youngest, James Morrison
is studying voice and performance at a local college and he opened up the musical portion of the presentation. He's predominantly a piano player but proved perfectly capable on guitar as well and I think he's going to excel at school. Next up, Clyde Blackburn
braved a shortened rendition of Gordon Lightfoot
's "Railroad Trilogy". Clyde's date for the evening was his mother, Pam
, visiting from Newmarket Ontario. They were both equally charming and delightful to meet. And finally, local musician, producer, studio owner, composer and guitar teacher Chris McIntyre
- who had also provided background music on his own guitar for the earlier part of the evening - came out from his spot off to the side and up on the stage with Voyageur
to perform an original, "Cottage By the Lake" - an ode to a family place with special meaning for him in Clear Lake, Manitoba. Chris is an extremely accomplished guitar player but I was especially struck by his voice. I have no idea if power ballads are in his repertoire as a musician or producer but it seemed to me he could hit those high notes with the best of them!.
Thanks once again to Tracey and Vince Vavrek
and all the staff and volunteer support who made this event such a glittering success. A very special thanks to Lindsey McNeil
from CFNWAB who handled book sales and to the volunteers from ATB Financial
who did all the serving and bussing!
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is assistant superintendent for the Grande Prairie Public School District - host of all but one of my school visits this trip - but when he picked me up this morning he instantly declared himself my driver and roadie for our trip to GP Composite High School - insisting on carrying everything! We arrived and it was another unconventional set up for a school presentation (ie
in the gym) and I was a bit concerned that with the cafeteria line so close it might be a little unfocussed but it was a tremendously focussed group of students who filled that room. Fantastic.
Our guitar-constant for this trip, Jason Peters
was there again today but more to encourage some of his guitar students to take the opportunity to help fill the performance pocket near the end of the presentation. Pictured left to right, Olivia Burns, Blake Reynolds, Emily Radujko
(yes, Nick's daughter) and Xander Forgie
all did a great job - and as most people know by now, I love to hear people doing original compositions and Blake came through on that front with a beauty.
We stuck around for a fair bit after the presentation as many students and staff came up to take pictures with Voyageur
while others headed back to class and others into the french fry line up in the cafeteria. As we were about to pack up, the social studies teacher came up and told me that his class was already inspired and energized in conversations about the presentation and notions of Canadian identity. Mission accomplished!
Thanks to principal Dennis Vobeyda
for his very supportive welcome to the school and to the rest of the staff and students at GP Composite.
And thanks again to my swing gang of Jayme
today) for handling all the tech with ease.
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Once we were finished saying goodbye at the Bridge Network Outreach School
in the morning, Jason Peters
handed me off into the care of Bob Stewart
while the Swing Gang swung into action loading Bob's truck with all the A/V gear for our trip up the road to Rycroft - about 40 minutes north of GP.
Bob is a supervisor for GP's neighbouring Peace-Wapiti School District and Rycroft School is one of the schools in his bailiwick. I was really enjoying the conversation and the drive with Bob when I saw the community of Sexsmith off the highway a little bit to the west. There is a photo print of one of the giant grain elevators of Sexsmith on the wall of my hotel room and I was curious to see it close up. Bob seemed to be a bit of a fan of the town and said we had lots of time to make a quick side trip so off we went.
Like some of those quaint New England towns or even Dawson City, Yukon - where strict attention is paid to development, commercial and streetscape rules in order to preserve the original character of a place - Sexsmith looks almost like a movie set of a Canadian prairie town from the turn of the last century. In the early 20th century, Sexsmith was the grain capital of the British Empire and the remaining elevator is a testament to that heritage. For additional colour and character, an old CN caboose sits on a siding in front of the disused but lovingly restored train station next to the elevator (pictured).
From there we resumed our drive and our conversation continuing up the road to Rycroft where we were greeted by principal Julie Hynes
. Set up was a little more complicated without the GP tech guys (or maybe they just made me lazy) but we were up and running on time to present to a small group of younger students and some visitors from the surrounding community - including one young woman who told me she discovered Six String Nation online while researching how to build her own guitar!
got the music started before handing off to teacher Ms. Zutter
Bob had me back at the hotel in time to do a little work, have a late lunch and watch the Blue Jays
seal the series against the Texas Rangers in what was possibly the most riveting game of baseball played in this century. Seriously!
Thanks to everyone for today's school presentations and a very special thanks to Community Foundation of Northwestern Alberta
and Cindy Oilund
and Linda Scharbach
for treating me to a lovely and unexpected post-game dinner out!
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First of all, let me say how grateful I am that my hotel room at the Holloway Inn & Suites
here in Grande Prairie has a proper kitchen so I could start the day with my own coffee and a proper omelette. A little taste of home and both necessary to fortify for a long day ahead!
Once breakfast was done, Jason Peters
swung by to pick me up to take me to our first engagement of the day at the Bridge Network Outreach School
. Bridge is a kind of alternative high school that actually reminded me of my old public school, Ranchdale - an open plan with a few satellite rooms built off of a main common work area. So it was nice not to present in a gym for a change but rather in a kind of calm and quiet atmosphere with a small group of very focussed students. In the bigger spaces you kind of rely on the mic technology to help deliver a more intimate tone but here it was built right into the environment.
We had two guitar players slated to play in the performance pocket - one of them being Jason, for whom Bridge is another school on his guitar-program circuit in GP, and the other being Jamie Soles
(pictured), the dad of a couple of Bridge students. Jason opted to let Jamie go first and once Jamie got started we were both content to just let him go. He did several numbers including a beautifully rendered version of one of my Bruce Cockburn
favourities: "All the Diamonds". He was brilliant! But elusive. I was hoping to get a shot of him and his kids - both of whom seemed pretty exceptional in their own ways - but he slipped away before we had the chance. Nonetheless, Jamie - if you're reading this - thanks for a very memorable performance!
Thanks also to rest of the staff and students at Bridge Network and my swing gang of Jayme, Dwayne and Brian for having everything set up and ready to go for when we arrived!
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Over years of doing multimedia presentations in schools across Canada, I've become pretty accustomed to arriving 30 or 40 minutes in advance and working with the resident staff or student A/V geek to figure out their own unique tech set up. There's a real range of qualities of gear and expertise from one school to the next. One of George Hall
's innovations for our tour with the Community Foundation of Southwest Alberta
this time last year was to at least rent the wireless headset mic and carry it from school to school. That really helped solve a consistency problem and Dave Fletcher
opted for the same targeted rental in Vernon last month. This morning, we actually didn't have any tech at all when we arrived at Crystal Park because of yesterday's holiday and the fact that the gear rental place wasn't open until after we were due to start. But it was not a problem at all. Crystal re-arranged the start time to suit and soon after 10, three guys showed up with everything from mics to stands to projector, screen and sundry cables and set it all up in very short order. Even better is the fact that they struck it all when we were done, packed it up and set it all up again at this afternoon's venue, Alexander Forbes School
before Jason and I even got there! It's like I have my own "swing gang". That's a formula that's going to be tough to beat! In fact, I'll be seeing Jayme Miller, Dwayne Wynnychuk
and Brian Cripps
quite a bit over the next couple of days here in Grande Prairie. Thanks for all your help, guys!
Guitar teacher Jason Peters
(pictured, right) repeated his performance from this morning, joined in the performance segment by student Lexie Warren
and teacher James Hudyma
Thanks to principal Terry Gorgichuk
and all the students and staff at Alexander Forbes.
Thanks also to Community Foundation
CEO Tracey Vavrek
and her husband Vince
who took me out for dinner and some lively and fascinating conversation - continuing the warm welcome I've received here in GP so far!
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Getting to Grande Prairie should have been simple. And all was going beautifully until the pilot interrupted my viewing of "Ant Man" about half an hour into the Toronto-Edmonton leg of the journey to announce that some troubling (but not "concerning") issues with an engine were enough to prompt a return to Toronto. Not a big deal - Air Canada was super prepared with a duplicate plane a couple of gates away and the transition was a piece of cake but for the fact that I would miss my connection to GP as a result. And the subsequent flight out of Edmonton was filled so I'd have to content myself to watch nearly 8 hours of baseball in the lounge waiting for a flight that would deliver me by midnight. Not so bad, really. First world problems and all that.
So I didn't get the sleep I was hoping for last night, I didn't have a rental car and was light on tech and travel details about this morning's first school visit to Crystal Park. But my concerns (not troubles) evaporated when Jason Peters
arrived at the hotel to whisk me off to Crystal. Jason (pictured, left) was a math and science teacher for a decade in the Grande Prairie school system when he started a guitar program that soon proved so popular that they built a job around it. Now, he travels to six different schools in the district over the course of the week delivering a music program that draws kids from several grades. So not only was he familiar with both schools on today's itinerary as a teacher, but he'd also be the anchor guitar player for the performance segment at each of the presentations.
Jason's performance of a couple of Tragically Hip
tunes (with a little Eddie Vedder
thrown in) was supplemented by music from two of his students: Alexis Tan
) and Jessica Mandrusiak
The presentation was a pleasure and Tracey Vavrek
and Lindsey McNeil
from the Community Foundation of Northwestern Alberta
(or hosts for this little tour) came by so we could finally meet face to face after all these months of emails!Thanks so much to principal Charlene Ungstad
and the rest of the staff and students at Crystal for being a great audience and giving me the adrenaline lift I needed after yesterday's travails.
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Of course I try to document all of our activities with Voyageur
at schools, conferences, festivals, clubs and community appearances here on the blog and add some colourful detail from each location but so much of the most rewarding (but least tangible) parts of the experience come when the spotlight is off - when the character of a place and it's impact on me and the project has its most profound effect. I already alluded to the wonder of simply driving up here to Revelstoke from Vernon for the Axis Mundi Festival
but there's a whole lot more that really added to my appreciation of this trip.
I've already written about Revelstoke's favourite resident Noo Yawker
, Bob Gardali
who volunteered to shepherd me at the meet-and-greets and on to the presentation at RPAC but I really can't say enough about how great it was to hang around with him and share some stories and laughs. Normally, when I'm doing that kind of thing I'm just sort of sitting there with the guitar talking to people and offering it to them to play. This time, Bob was there sharing in the conversation and endlessly picking out bluegrass forms between hand-offs to members of the public. While there are quite a few artists who have played Voyageur
for extended periods of time in performance, in rehearsal or at recording sessions, for sheer duration I'm not sure many could top Bob, who was more or less constantly picking during the eight hours we spent together over the course of two days.
at D'Addario Canada
has been such a stalwart supporter of the Six String Nation since the very beginning and I continue to be grateful for all the extra effort he exerts for the benefit of this project and so many Canadian artists. I noticed far too late that I had run out of 6SN guitar picks to present to school kids and artists as souvenirs of their experience and when Larry couldn't personally move the process of replenishing the supply along any faster on the U.S. side he made sure I had other guitar picks and pick holders to hand out - as well as fresh strings and a replacement guitar cable. The man is a prince and his family and his staff in Markham ON are all pretty loveable too.
Larry is also the guy who first cued me to Walk Off the Earth
long before they were a hit and suggested I should hook up with them. Of course, when they took off all of a sudden it was that much harder to connect with them but it came together here in Revelstoke so thanks to the band for inviting me into the dressing room after the show and to Hugo & Co. from the festival for setting it all up.
While I was hanging around backstage chatting with Salmon Arm R&B familiars Tori Jewell
and her mother Diane
I was approached by Kelly and Blu Hopkins
- local musicos. On two or three different occasions over the last couple of days the subject of Scott Cook
's song "Pass It Along
" as one that seems to have been practically written for Voyageur
and yet I still hadn't heard it. It's pretty noisy back there but as Blu picks up Voyageur
and starts to sing, some fragment of lyric breaks through the din with the help of Blu's deep Stan Rogers-esque
vocal and I quickly realize what I'm finally hearing. Scott - next time I'm in Edmonton we must
get together. Kelly and Blu - thank you for that.
The nylon pouch I've been carrying around since 2006 to hold my D.I. box and guitar cable had effectively fallen apart a couple of years ago but I continued to struggle with it and make do just because I was too lazy and broke to do anything about it. When I arrived in Revelstoke the main street was closed for the outdoor market and one of the first vendors I saw (after the one with the amazing radishes!) was Trevor Kehler
(Unlimited Supplies from Everyone's Discards) booth offering a variety of bags, pouches and backpacks made from recycled car seatbelts. There was nothing on display that quite fit my needs so he offered to head home at day's end and make me the right bag to deliver later on. Problem solved - it's perfect! He actually couldn't deliver the bag himself while we were holding court at the Bakeshop so his friend Marla
dropped it off and became an instant fan of the project - and even submitted to a few photos in spite of her intense camera shyness. The technology aversion is understandable given that she's been living off the grid for over a decade and kayaks to work. Thank you Marla and Trevor!
Speaking of the Bakeshop, I can see why Hugo wanted us to plant ourselves there for Saturday and part of Sunday: it's a popular spot. At times there was a line-up out the door but it moved quickly thanks to co-proprietors Josée Zimanyi
(pictured) and Kevan McCroy
and their staff. Not only did they keep coffees topped up for me and Bob, Josée even made special cookies in honour of our visit and, when she sensed that my voice was starting to give out, made me a perfect hot ginger elixir in a souvenir Modern Bakeshop Café
thermo-mug! She also provided me with two of their delectable "Speed Balls" - concoctions of cocoa, peanut butter, honey and various seeds - that will be fortification for the drive to Kelowna I have to begin in about six hours! Thanks for the amazing hospitality.
And what more can I say about festival founder Hugo Rampen
, his wife Gail
and their whole team? I'm grateful for their ongoing support and belief in the project. This project of theirs is a new one and it's very ambitious - a festival that combines music, lectures, markets and outdoor activities. Unfortunately, the weather was a bit uncooperative but the bones of this AxisMundi thing are really good and I hope it will grow into a big success for them. For the time being, Hugo will have to give up his dumptruck but I'm pretty sure he'd agree it was all worth it.
I also got to see some familiar faces on this trip:
My old friend Popo Murigande
(aka Jacques Murigande, aka Mighty Popo) is one of Six String Nation's most stalwart champions. Formerly based in Ottawa, the erstwhile member of the famed African Guitar Summit
left his grown daughter to finish her degree at UVIC on her own and returned to his ancestral home of Rwanda to start the KigaliUp Festival
and a music school. He and Hugo also go way back and Hugo managed to lure Popo and a group of his students here to take part in the festival and embark on a tour of area schools. I managed to find Popo near the back of the muddy pitch at the top of the Revelstoke ski resort while the rain pelted down and Walk Off the Earth
rocked the crowd. It was a soggy but great reunion.
And finally, Severn Cullis-Suzuki
was the speaker who followed me at RPAC today. We had met back at the Edge of the World Festival
in Tlell, Haida Gwaii back in 2008. She lives there and was getting married that weekend so she had a full schedule of preparations and celebrations but she made time to come out and meet Voyageur
and have a portrait taken. We managed to share a few words as I came off stage today and she prepared to go on, which was nice. Later, I saw her checking in at my hotel as I returned from a final coffee with Bob. And as I headed to the bar with my laptop to order a burger and a glass of wine and start work on this blog, there she was all dressed up for a hike and getting final trail directions from the desk staff. Boy did I feel like a sloth. But hey, I'm doing this for you, dear reader!
Thanks again to Revelstoke and all at Axis Mundi - here's to a promising start!
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The Modern Bakeshop and Café
is normally closed on Sundays but they stayed open today as one of the AxisMundi Festival
downtown sites, which meant another meet and greet opportunity at our perch in the front window. I arrived early and was already set up by the time my new pal Bob Gardali
showed up and we resumed our steady conversation from yesterday. Neither of us is short of a few stories so it was another extremely agreeable morning with people coming through to meet Voyageur
and get a quick tour or various snippets of story or take a turn playing - though it was a much shorter schedule today since we had to head out at noon to get set up at the Revelstoke Performing Arts Centre - a recent addition to the local high school.
's official title at RPAC is Theatre Manager. So, not surprisingly, she greeted us upon arrival and showed us into the venue. At that point she became Technical Director and grip - got the screen down, visuals checked, mics rigged, sound checked and everything. Then she became emcee and introduced me for the presentation!
Soon after he invited me to come up to Revelstoke for the festival a few months ago, Festival Director Hugo Rampen
suggested to me that the "performance pocket" of my presentation be filled by Dominique Fraissard
- one of a seemingly endless number of Australian transplants in the region. He had previously met Voyageur
at the Salmon Arm Roots and Blues Festival
back in 2009 but this would be his first opportunity to perform with it and do so in the context of the full presentation. Generously, he chose to share that opportunity with a fellow Aussie, Andy Gordon
- aka "Uncle Jorfy
". Andy started off on Voyageur
and Dominique added vocal harmonies to a gorgeous version of the traditional "Wild Mountain Thyme". Dominique continued with the piece Hugo had suggested: "The Cream
" - a loop-pedal and FX pedal tour de force with brilliant lyrics. Sadly, the version linked here is not on Voyageur
but you can use your imagination.
Thanks to both musicians and to everyone who came out and offered their support at RPAC!
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